Episode 10.1 · 23 min
how the first cities of Mesopotamia began, and who came to rule them
How did villages on the river plains of southern Mesopotamia become cities—and who gained control of the people who lived in them? From Eridu and Uruk’s crowded institutions to clay tablets, rationed labor, rival city-states, Sargon’s empire, the royal graves of Ur, and the kingdom’s fall to Elam in 2004 BCE, this episode traces how urban life and organized power took shape.
Watch this film on YouTube ↗Visual credits
104 sourcesSources and credits for imagery used in this film, including material incorporated into explanatory animations.
Proto-cuneiform tablet: administrative account of barley distribution with seal impressions
The Metropolitan Museum of Art
View original source ↗Source licence: CC0 1.0The Metropolitan Museum of Art, Purchase, Raymond and Beverly Sackler Gift, 1988.
Disk of Enheduanna
Mefman00
View original source ↗Source licence: CC0Resized and reframed for video.
Enheduanna, detail of her disk
Mefman00
View original source ↗Source licence: CC0Detail extracted from the disk photograph; resized for video.
Statue of Gudea
The Metropolitan Museum of Art
View original source ↗Source licence: CC0 1.0Resized and reframed for video.
Harris Brisbane Dick Fund, 1959.
Victory stele of Naram-Sin, Musée du Louvre
Shonagon
View original source ↗Source licence: CC0Cropped to the king wearing his horned crown.
Ziggurat of Ur, 2005
Hardnfast
View original source ↗Source licence: CC BY 3.0Resized and reframed for video.
Administrative account of barley and emmer
The Metropolitan Museum of Art
View original source ↗Source licence: CC0 1.0Resized and reframed for video.
Purchase, Raymond and Beverly Sackler Gift, 1988.
Administrative account of malt and barley groats
The Metropolitan Museum of Art
View original source ↗Source licence: CC0 1.0Resized and reframed for video.
Purchase, Raymond and Beverly Sackler Gift, 1988.
Headdress from Ur
The Metropolitan Museum of Art
View original source ↗Source licence: CC0 1.0Resized and reframed for video.
Dodge Fund, 1933.
Necklace from Ur
The Metropolitan Museum of Art
View original source ↗Source licence: CC0 1.0Resized and reframed for video.
Dodge Fund, 1933.
Ram in a Thicket, Penn Museum
Benjamin82877
View original source ↗Source licence: CC BY-SA 4.0Resized and reframed for video.
Inscribed brick
The Metropolitan Museum of Art
View original source ↗Source licence: CC0 1.0Resized and reframed for video.
Rogers Fund, 1959.
Necklace beads from Ur
The Metropolitan Museum of Art
View original source ↗Source licence: CC0 1.0Resized and reframed for video.
Dodge Fund, 1933.
Stele of the Vultures, enhanced composite
Kikuyu3 (background); Eric Gaba / Sting (elements); पाटलिपुत्र (composite)
View original source ↗Source licence: CC BY-SA 4.0Cropped to Ningirsu and the net of captives; resized for video. Original composite combines photographs of the stele and its historical and mythological sides.
Stele of the Vultures, war side: historical plate
Ernest de Sarzec
View original source ↗Source licence: Public domainCropped to the upper register of soldiers; resized for video.
From Découvertes en Chaldée, published in 1886.
Carnelian bead
The Metropolitan Museum of Art
View original source ↗Source licence: CC0 1.0Resized and reframed for video.
Rogers Fund, 1959.
Tell Brak
Zoeperkoe
View original source ↗Source licence: CC BY-SA 4.0Resized and reframed for video.
Ziggurat at Eridu
David Stanley
View original source ↗Source licence: CC BY 2.0Resized and reframed for video.
Laws of Ur-Namma tablet, Istanbul Archaeology Museums
Oncenawhile
View original source ↗Source licence: CC0Cropped to the tablet, excluding the museum label; resized for video.
Foundation figure of Ur-Namma carrying a basket
The Metropolitan Museum of Art
View original source ↗Source licence: CC0 1.0Resized and reframed for video.
Gift of Mrs. William H. Moore, 1947.
Foundation figure of Shulgi carrying a basket
The Metropolitan Museum of Art
View original source ↗Source licence: CC0 1.0Resized and reframed for video.
Rogers Fund, 1959.
Queen Puabi's gold headdress and jewellery, Royal Cemetery of Ur
Mary Harrsch
View original source ↗Source licence: CC BY 2.0White Temple ziggurat at Uruk
tobeytravels
View original source ↗Source licence: CC BY-SA 2.0Source photograph detail; resized and reframed for video.
Tablet recording rations for messengers
The Metropolitan Museum of Art
View original source ↗Source licence: CC0 1.0Resized and reframed for video.
Gift of Archbishop Elias F. Shaheen, 1985.
Clay accounting envelope, Louvre Sb 1932
Marie-Lan Nguyen
View original source ↗Source licence: Public domainResized and reframed for video.
Uruk archaeological site at Warka
SAC Andy Holmes (RAF)/MOD
View original source ↗Source licence: Open Government Licence v1.0Extracted photograph detail; resized and reframed for video.
Photo: SAC Andy Holmes (RAF)/MOD
Late Uruk seal impression: temple facade
The Metropolitan Museum of Art
View original source ↗Source licence: CC0 1.0Cropped to the temple facade, excluding the figures; resized for video.
Uruk Trough
Gary Todd
View original source ↗Source licence: CC0Source photograph detail; resized and reframed for video.
Cylinder seal: goddess leading a worshipper
The Metropolitan Museum of Art
View original source ↗Source licence: CC0 1.0Resized and reframed for video.
Gift of Martin and Sarah Cherkasky, 1988.
Silver lyre, PG 1237, Royal Cemetery of Ur
Osama Shukir Muhammed Amin FRCP(Glasg)
View original source ↗Source licence: CC BY-SA 4.0The source image was extracted from another file; converted from JPEG to PNG for production.
Ur III tablet IM 204458, Figure 6
Abather Rahi Saadoon, Noemi Borrelli and Maurizio Viano / Iraq Museum
View original source ↗Source licence: CC BY 4.0Tablet photographs extracted from Figure 6; caption and surrounding page removed; cropped and resized for video.
Saadoon, Borrelli and Viano, From the Collections of the Iraq Museum: New Ur III Tablets Primarily from the Umma Region, Iraq, 2026, Figure 6.
Gold and carnelian beads from the Royal Cemetery of Ur
Vassil
View original source ↗Source licence: CC0Cropped to the whole-necklace panel of the composite; resized for video.
Cuneiform account concerning bitumen
The Metropolitan Museum of Art
View original source ↗Source licence: CC0 1.0Resized and reframed for video.
Purchase, 1886.
Harappan carnelian beads from Ur
Zunkir
View original source ↗Source licence: CC BY-SA 4.0Resized and reframed for video.
Royal Akkadian head from Nineveh
Hans Ollermann
View original source ↗Source licence: CC BY-SA 2.0Resized and reframed for video.
Warka Vase, upper register
Osama Shukir Muhammed Amin FRCP(Glasg)
View original source ↗Source licence: CC BY-SA 4.0Source has a retouched background. Cropped to the upper register of offerings and reed-bundle posts; resized for video.
Ubaid bowl
The Metropolitan Museum of Art
View original source ↗Source licence: CC0 1.0Resized and reframed for video.
Gift of Theodore M. Davis, by exchange, 1949.
Standard of Ur, peace side
Juan Carlos Fonseca Mata
View original source ↗Source licence: CC BY-SA 4.0Cropped to the middle register of people leading livestock; resized for video.
Lapis lazuli cylinder seal from Ur
Mary Harrsch
View original source ↗Source licence: CC BY 2.0Resized and reframed for video.
Standard of Ur, peace side: lower-register detail
LeastCommonAncestor
View original source ↗Source licence: CC BY-SA 3.0Resized and reframed for video.
Standard of Ur, peace side: upper-register detail
LeastCommonAncestor
View original source ↗Source licence: CC BY-SA 3.0Resized and reframed for video.
Stamp seal and impression: horned animal and bird
The Metropolitan Museum of Art
View original source ↗Source licence: CC0 1.0Resized and reframed for video.
Bequest of Lester Wolfe, 1983.
Tell al-Hiba, ancient Lagash
David Stanley
View original source ↗Source licence: CC BY 2.0Resized and reframed for video.
Painted bowl fragment
The Metropolitan Museum of Art
View original source ↗Source licence: CC0 1.0Resized and reframed for video.
Purchase, Colt Archaeological Institute Inc. Gift, 1983.
Inscribed stone tablet of Entemena
Osama Shukir Muhammed Amin FRCP(Glasg)
View original source ↗Source licence: CC BY-SA 4.0Resized and reframed for video.
Proto-cuneiform tablet OIM A12259
Daderot (original photograph); Zunkir (derivative)
View original source ↗Source licence: CC BY-SA 4.0Source is a detail from the accounting display photograph; resized and reframed for video.
Numerical and proto-cuneiform tablets
Daderot (original photograph); Zunkir (derivative)
View original source ↗Source licence: CC0Source is a detail from the accounting display photograph; resized and reframed for video.
Stamp seal and impression: geometric pattern
The Metropolitan Museum of Art
View original source ↗Source licence: CC0 1.0Resized and reframed for video.
Gift of Martin and Sarah Cherkasky, 1986.
Stele of Ur-Namma, front and back
Onceinawhile
View original source ↗Source licence: CC BY-SA 4.0Extracted photograph details; resized and reframed for video.
Stele of Ur-Namma: king and god
Onceinawhile
View original source ↗Source licence: CC BY-SA 4.0Source photograph detail; resized and reframed for video.
Diorite victory stele of Sargon
Gary Todd
View original source ↗Source licence: CC0Cropped to the stele, excluding the visitor at the left edge; resized for video.
Bevelled-rim bowl
The Metropolitan Museum of Art
View original source ↗Source licence: CC0 1.0Resized and reframed for video.
Rogers Fund, 1962.
Sargon and dignitaries on his victory stele
ALFGRN
View original source ↗Source licence: CC BY-SA 2.0Source assembles two views of Sargon's victory stele; resized and reframed for video.
Clay accounting counters from Girsu
Zunkir
View original source ↗Source licence: CC BY-SA 4.0Resized and reframed for video.
Eye idol
The Metropolitan Museum of Art
View original source ↗Source licence: CC0 1.0Resized and reframed for video.
Gift of The Institute of Archaeology, The University of London, 1951.
Cone-mosaic temple wall from Uruk
Osama Shukir Muhammed Amin FRCP(Glasg)
View original source ↗Source licence: CC BY-SA 4.0Resized and reframed for video.
Cone mosaics from the Eanna district of Uruk
Dosseman
View original source ↗Source licence: CC BY-SA 4.0Resized and reframed for video.
Cuneiform tablet recording copper knives
The Metropolitan Museum of Art
View original source ↗Source licence: CC0 1.0Resized and reframed for video.
Rogers Fund, 1962.
Standing female figure
The Metropolitan Museum of Art
View original source ↗Source licence: CC0 1.0Resized and reframed for video.
Rogers Fund and Gifts of Lucy W. Drexel, Theodore M. Davis, Helen Miller Gould, Albert Gallatin, Egypt Exploration Fund and Egyptian Research Account, by exchange, 1950.
Bearded male worshipper from Tell Asmar
Daderot
View original source ↗Source licence: CC0Resized and reframed for video.
Sumerian King List, Ashmolean Museum
M.atkinsonross
View original source ↗Source licence: CC BY-SA 4.0Resized and reframed for video.
Inscribed cone fragment of Eannatum
Marie-Lan Nguyen
View original source ↗Source licence: Public domainResized and reframed for video.
Ur III account from the reign of Amar-Suena
Daderot (original photograph); Zunkir (derivative)
View original source ↗Source licence: CC0Source photograph detail; resized and reframed for video.
Habuba Kabira exhibit, Berlin
Miguel Hermoso Cuesta
View original source ↗Source licence: CC BY-SA 4.0Resized and reframed for video.
Reconstruction of Habuba Kabira
Wolfgang Sauber
View original source ↗Source licence: CC BY-SA 3.0Resized and reframed for video.
Warka Mask, Iraq Museum
Osama Shukir Muhammed Amin FRCP(Glasg)
View original source ↗Source licence: CC BY-SA 4.0Resized and reframed for video.
Standard of Ur, war side
LeastCommonAncestor
View original source ↗Source licence: CC BY-SA 3.0Separate crops show the middle-register infantry and upper-register king with attendants; resized for video.
Diadem of Body 36, Great Death Pit at Ur
Zunkir
View original source ↗Source licence: CC BY-SA 4.0Resized and reframed for video.
Ornaments from the Great Death Pit
Gary Todd
View original source ↗Source licence: CC0Cropped to the headdress, earrings and necklaces on the modern display form; resized for video.
Proto-Elamite tablet from Susa
Darafsh
View original source ↗Source licence: CC BY 3.0Cropped to exclude the display tag and most window reflections; resized for video.
Behistun inscription and reliefs
Hara1603 (photograph); Pataliputra! (derivative)
View original source ↗Source licence: Public domainSource derivative of Bisotun Iran Relief Achamenid Period.JPG; resized and reframed for video.
Lion Hunt Stele from Uruk
Osama Shukir Muhammed Amin FRCP(Glasg)
View original source ↗Source licence: CC BY-SA 4.0Resized and reframed; a separate crop shows the lower hunting scene.
Clay cone of Urukagina, Louvre AO 3149
Poulpy
View original source ↗Source licence: Public domainCropped to exclude the display number tag; resized for video.
Raw lapis lazuli from Afghanistan
Parent Géry
View original source ↗Source licence: CC BY-SA 3.0Resized and reframed for video.
Barley ration tablet from Girsu, British Museum 1906,0512.2
The Trustees of the British Museum
View original source ↗Source licence: CC BY-NC-SA 4.0Resized and reframed for video.
© The Trustees of the British Museum, CC BY-NC-SA 4.0 (object 1906,0512.2)
Body 52 from Ur's Great Death Pit, Figure 3
A. Baadsgaard (photograph)
Photograph extracted from Figure 3; caption removed; cropped and resized for video.
Photograph: A. Baadsgaard, in Baadsgaard, Monge, Cox & Zettler 2011, 'Human sacrifice and intentional corpse preservation in the Royal Cemetery of Ur', Antiquity 85: 27-42, Fig. 3.
Excavated walls of Jericho
Daniel Case
View original source ↗Source licence: CC BY-SA 3.0Resized and reframed for video.
Gold treasure from Varna
Zde
View original source ↗Source licence: CC BY-SA 4.0Resized and reframed for video.
Statue of Gudea, 3D model
Cleveland Museum of Art
View original source ↗Source licence: CC0 1.0Rendered as a turntable animation; excerpt edited into the film.
The Sumerian King List, 3D model
Ingmar Franz
View original source ↗Source licence: CC BY 4.0Rendered as a turntable animation; excerpt edited into the film.
Cuneiform tablet: receipt of bronze
Chester Beatty
View original source ↗Source licence: CC BY 4.03D model rendered as a turntable video by AgentHouse; excerpt used.
Cylinder seal, 3D model
Museum für Kunst und Gewerbe Hamburg
View original source ↗Source licence: CC0 1.0Rendered as a turntable animation; excerpt edited into the film.
Ziggurat of Ur
Sgt. Kelly Longbine / DVIDS
View original source ↗Source licence: Public domain (U.S. Government work)Extracted a close-up of the brick facing and bitumen joints; trimmed and edited into the film.
Natural Earth 1:50m lakes
Natural Earth
View original source ↗Source licence: Public domainSelected, projected and styled as lakes in original animated maps.
Made with Natural Earth. Free vector and raster map data @ naturalearthdata.com.
Natural Earth 1:50m land
Natural Earth
View original source ↗Source licence: Public domainProjected, simplified for display and styled as land and coastlines in original animated maps.
Made with Natural Earth. Free vector and raster map data @ naturalearthdata.com.
Natural Earth 1:50m rivers and lake centre lines
Natural Earth
View original source ↗Source licence: Public domainSelected modern river courses projected and styled in original animated maps.
Made with Natural Earth. Free vector and raster map data @ naturalearthdata.com.
GEBCO 2021 Grid, southwest Asia subset
GEBCO Compilation Group (2021)
View original source ↗Source licence: Public domainSubset and decimated to 0.025 degrees; rendered as hillshade and sea-depth tint.
GEBCO Compilation Group (2021) GEBCO 2021 Grid (doi:10.5285/c6612cbe-50b3-0cff-e053-6c86abc09f8f)
GEBCO 2021 Grid, southwest Asia subset
GEBCO Compilation Group (2021)
View original source ↗Source licence: Public domainSubset and decimated; rendered as hillshade and sea-depth tint.
GEBCO Compilation Group (2021) GEBCO 2021 Grid (doi:10.5285/c6612cbe-50b3-0cff-e053-6c86abc09f8f)
GEBCO 2021 Grid, southwest Asia subset
GEBCO Compilation Group (2021)
View original source ↗Source licence: Public domainSubset and decimated; rendered as hillshade and sea-depth tint.
GEBCO Compilation Group (2021) GEBCO 2021 Grid (doi:10.5285/c6612cbe-50b3-0cff-e053-6c86abc09f8f)
GEBCO 2021 Grid, southwest Asia subset
GEBCO Compilation Group (2021)
View original source ↗Source licence: Public domainSubset and decimated; rendered as hillshade and sea-depth tint.
GEBCO Compilation Group (2021) GEBCO 2021 Grid (doi:10.5285/c6612cbe-50b3-0cff-e053-6c86abc09f8f)
GEBCO 2021 Grid, southwest Asia subset
GEBCO Compilation Group (2021)
View original source ↗Source licence: Public domainSubset and decimated; rendered as hillshade and sea-depth tint.
GEBCO Compilation Group (2021) GEBCO 2021 Grid (doi:10.5285/c6612cbe-50b3-0cff-e053-6c86abc09f8f)
GEBCO 2021 Grid, southwest Asia subset
GEBCO Compilation Group (2021)
View original source ↗Source licence: Public domainSubset and decimated; rendered as regional hillshade and sea-depth tint.
GEBCO Compilation Group (2021) GEBCO 2021 Grid (doi:10.5285/c6612cbe-50b3-0cff-e053-6c86abc09f8f)
GEBCO 2021 Grid, world subset
GEBCO Compilation Group (2021)
View original source ↗Source licence: Public domainDecimated to 0.1 degrees; rendered as world-map hillshade and sea-depth tint.
GEBCO Compilation Group (2021) GEBCO 2021 Grid (doi:10.5285/c6612cbe-50b3-0cff-e053-6c86abc09f8f)
GEBCO 2021 Grid, southwest Asia subset
GEBCO Compilation Group (2021)
View original source ↗Source licence: Public domainSubset and decimated; rendered as hillshade and sea-depth tint.
GEBCO Compilation Group (2021) GEBCO 2021 Grid (doi:10.5285/c6612cbe-50b3-0cff-e053-6c86abc09f8f)
GEBCO 2021 Grid, southwest Asia subset
GEBCO Compilation Group (2021)
View original source ↗Source licence: Public domainSubset and decimated; rendered as hillshade and sea-depth tint.
GEBCO Compilation Group (2021) GEBCO 2021 Grid (doi:10.5285/c6612cbe-50b3-0cff-e053-6c86abc09f8f)
GEBCO 2021 Grid, southwest Asia subset
GEBCO Compilation Group (2021)
View original source ↗Source licence: Public domainSubset and decimated; rendered as hillshade with enhanced foothill relief and sea-depth tint.
GEBCO Compilation Group (2021) GEBCO 2021 Grid (doi:10.5285/c6612cbe-50b3-0cff-e053-6c86abc09f8f)
GEBCO 2021 Grid, southwest Asia subset
GEBCO Compilation Group (2021)
View original source ↗Source licence: Public domainSubset and decimated; rendered as hillshade and sea-depth tint.
GEBCO Compilation Group (2021) GEBCO 2021 Grid (doi:10.5285/c6612cbe-50b3-0cff-e053-6c86abc09f8f)
GEBCO 2021 Grid, southwest Asia subset
GEBCO Compilation Group (2021)
View original source ↗Source licence: Public domainSubset and decimated; rendered as hillshade and sea-depth tint.
GEBCO Compilation Group (2021) GEBCO 2021 Grid (doi:10.5285/c6612cbe-50b3-0cff-e053-6c86abc09f8f)
GEBCO 2021 Grid, southwest Asia subset
GEBCO Compilation Group (2021)
View original source ↗Source licence: Public domainSubset and decimated; rendered as hillshade and sea-depth tint.
GEBCO Compilation Group (2021) GEBCO 2021 Grid (doi:10.5285/c6612cbe-50b3-0cff-e053-6c86abc09f8f)
GEBCO 2021 Grid, southwest Asia subset
GEBCO Compilation Group (2021)
View original source ↗Source licence: Public domainSubset and decimated; rendered as hillshade and sea-depth tint.
GEBCO Compilation Group (2021) GEBCO 2021 Grid (doi:10.5285/c6612cbe-50b3-0cff-e053-6c86abc09f8f)
GEBCO 2021 Grid, southwest Asia and Indus region subset
GEBCO Compilation Group (2021)
View original source ↗Source licence: Public domainSubset and decimated; rendered as hillshade and sea-depth tint in successive original maps.
GEBCO Compilation Group (2021) GEBCO 2021 Grid (doi:10.5285/c6612cbe-50b3-0cff-e053-6c86abc09f8f)
GEBCO 2021 Grid, southwest Asia subset
GEBCO Compilation Group (2021)
View original source ↗Source licence: Public domainSubset and decimated; rendered as hillshade and sea-depth tint.
GEBCO Compilation Group (2021) GEBCO 2021 Grid (doi:10.5285/c6612cbe-50b3-0cff-e053-6c86abc09f8f)
GEBCO 2021 Grid, southwest Asia subset
GEBCO Compilation Group (2021)
View original source ↗Source licence: Public domainSubset and decimated; rendered as hillshade and sea-depth tint.
GEBCO Compilation Group (2021) GEBCO 2021 Grid (doi:10.5285/c6612cbe-50b3-0cff-e053-6c86abc09f8f)
Holocene climate records and significant excursions, Supplementary Data 1
Nicholas P. McKay, Darrell S. Kaufman, Stéphanie H. Arcusa, Hannah R. Kolus, David C. Edge, Michael P. Erb, Chris L. Hancock, Cody C. Routson, Maurycy Żarczyński, Leah P. Marshall, Georgia K. Roberts and Frank Telles
View original source ↗Source licence: CC BY 4.0Record coordinates plotted in an original animated world map; records with significant dry excursions at 4200 BP highlighted. The source figure was not reproduced.
McKay et al. (2024), The 4.2 ka event is not remarkable in the context of Holocene climate variability, Nature Communications 15, 6555, Supplementary Data 1.
Stock footage
16 itemsLicensed stock footage used in this film, with each item’s creator and source page.
arial view of Great Ziggurat of Ur one of Oldest temples in iraq 2050 BC
BlackBoxGuild
arial view of Great Ziggurat of Ur one of Oldest temples in iraq 2050 BC
BlackBoxGuild
arial view of Great Ziggurat of Ur one of Oldest temples in iraq 2050 BC
BlackBoxGuild
arial view of Great Ziggurat of Ur one of Oldest temples in iraq 2050 BC
BlackBoxGuild
Drone shot The marshes of Iraq Mesopotamian Marshes
enesyk
Drone shot The marshes of Iraq Mesopotamian Marshes
BlackBoxGuild
Aerial View of Lush Date Palm Tree Plantation
BlackBoxGuild
Date Palm Fronds Frame the Sky in a Grove
icetray
Close Up of Golden Barley Ear Swaying in Sunset Field
cavanimages
Barley Field Swaying Gently at Golden Hour
Kokhanchikov
Hand Weaving Textile on Wooden Loom Close Up
Renaud83
Herd of Sheep Moving Across Desert Landscape
ronib1979
Large Flock of Sheep Grazing in a Dusty Field at Sunset
Pro-Stock
Mud Brick Creation Using Traditional Methods in Field
BlackBoxGuild
Reeds Along Calm Waterway on a Sunny Day
egunes_
Inside a Dark Cave with Stalactites and Stalagmites
ProStockMediaHD
Research references
Selected sources from the episode’s research and scientific figures.
- ISAC OIS 13, historical background ↗
- publisher excerpt ↗
- DAI project ↗
- Tell Brak's excavators ↗
- Artefacts/DAI White Temple reconstruction account ↗
- *Assignment of account type to proto-cuneiform economic texts* ↗
- Met record ↗
- British Museum's own account of ration tablet 1906,0512.2 ↗
- Louvre AO 50 and joined fragments ↗
- CDLI P431154, RIME 1.09.09.01 ↗
- Penn Museum's own current headdress account ↗
- Met Akkadian essay ↗
- Sophus Helle's authorship discussion ↗
- Louvre Sb 4 ↗
- Curse of Agade, ETCSL 2.1.5 ↗
- Object ↗
- record ↗
- 1997 preview ↗
- BDTNS project ↗
- Hamburg CSMC, updated 2024-12-16 ↗
- doi:10.1017/irq.2026.10058 ↗
- ETCSL 2.2.3, lines 1–55 ↗
- Oracc entry, current citation 2024 ↗
- doi:10.1186/s13059-026-04145-4 ↗
- *Mathematics in Ancient Iraq*, publisher chapter excerpt, 2008 ↗
- DOJ primary release ↗
- French Ministry of Culture/Mosul Museum account ↗
- https://doi.org/10.1186/s13059-026-04145-4),17 ↗
- Met writing essay ↗
- Tell Brak Suburban Survey ↗
- doi:10.15184/aqy.2021.117 ↗
- Quenet ↗
- Rayne et al. 2026 ↗
- doi:10.15184/aqy.2024.189 ↗
- doi:10.1038/s41467-024-50886-w ↗
- doi:10.1029/2024PA004974 ↗
- Background-retouched photo ↗
- Penn-named photograph ↗
- Enhanced composite ↗
- Photo ↗
- Disk photo ↗
- MOD45156521 ↗
- source page ↗
- Side photo ↗
- https://commons.wikimedia.org/wiki/File:Warka_vase_(background_retouched).jpg),2824×6632 ↗
- https://commons.wikimedia.org/wiki/File:Penn_Museum_-_%22Ram_in_a_Thicket%22_.jpg),3510×5265 ↗
- https://commons.wikimedia.org/wiki/File:Stele_of_the_Vultures_in_the_Louvre_Museum_(enhanced_composite).jpg ↗
- https://commons.wikimedia.org/wiki/File:Disk_of_Enheduanna.JPG),6000×4000 ↗
- https://commons.wikimedia.org/wiki/File:Uruk_Archaeological_site_at_Warka,_Iraq_MOD_45156521.jpg),3000×1993 ↗
- https://commons.wikimedia.org/wiki/File:Zig_from_side.JPG),3072×2304 ↗
- Saitta publisher record ↗
- Jotheri et al. 2025 ↗
- Giosan and Goodman 2025 ↗
- magnetometry team's account ↗
- doi:10.1016/j.jasrep.2022.103730 ↗
- doi:10.1016/j.jasrep.2026.106022 ↗
- 2026 European Archaeologist 87 field report ↗
- doi:10.15184/aqy.2024.165 ↗
- Oxford manuscript ↗
- How to write cuneiform ↗
- Cracking ancient codes ↗
- 2023 season ↗
- 2024 season ↗
- Spring 2025 ↗
- *Sumer* 71 issue record ↗
- Zimmerman and Zettler 2021 ↗
- ISAW's headdress record ↗
- Baadsgaard, Monge, Cox and Zettler 2011 ↗
- Vidale 2011 ↗
- *Deeper Into Ur's Royal Cemetery* ↗
- Ur strontium study ↗
- Tell Brak project ↗
- CDLI P215544 ↗
- doi:10.1126/science.261.5124.995 ↗
- doi:10.1073/pnas.1808103115 ↗
- doi:10.1130/G46604.1 ↗
- doi:10.1007/s10814-024-09197-3 ↗
- doi:10.1002/gea.70027 ↗
- Zenodo 12681061 ↗
- archiraq ↗
- AsianSpeleothemCoherency ↗
- Leiden's historical account ↗
- full volume PDF ↗
- Roth scan ↗
- Primary study ↗
- BDTNS BM project ↗
- doi:10.1086/741144 ↗
- Van De Mieroop's historical synthesis, relevant chapter ↗
- author/publisher PDF, p.39 ↗
- *Lament for Urim*, 2.2.2 ↗
- OIS 2 pp.91–120 ↗
- 2020 chapter summary ↗
- doi:10.1073/pnas.2526276123 ↗
- doi:10.1016/j.jasrep.2026.105797 ↗
- 2021 study, pp.2–4 ↗
- Ebla Digital Archives ↗
- Oxford OUMNH Corsi 703 ↗
- Wyart, Bariand and Filippi, GIA geological paper ↗
- Kenoyer, Law and Dussubieux, doi:10.1111/arcm.13098 ↗
- 2013 Ur/Harappa strontium study ↗
- publisher description ↗
- ETCSL 2.1.7, relevant procurement passages ↗
- “Shu-ilishu's Cylinder Seal,” 2006 ↗
- Sumerian King List ↗
- *Gilgamesh and Aga* ↗
- 2019 primary study ↗
- CDLJ 2005:2 ↗
- 2010 interview with then museum director Donny George ↗
- UNESCO Hatra record ↗
- UNESCO Ahwar, inscribed 2016 ↗
- File page ↗
- Visitor photo ↗
- Close-up ↗
- File (5) ↗
- Visitor photo ↗
- File page ↗
- War side ↗
- Victory stele 9064 ↗
- Istanbul photo ↗
- Photo ↗
- Photo (2) ↗
- Open Access policy ↗
- exact Commons file ↗
- Royal Tombs of Ur ↗
- Dressing Queen Puabi ↗
- Great Lyre from the King's Grave ↗
- Al-Chibayish marshes tour ↗
- https://images.metmuseum.org/CRDImages/an/original/DP-42230-002.jpg ↗
- https://commons.wikimedia.org/wiki/File:Warka_vase_(background_retouched).jpg ↗
- https://commons.wikimedia.org/wiki/File:Warka_vase_(360).jpg ↗
- https://commons.wikimedia.org/wiki/File:Bull-headed_lyre_recovered_from_the_royal_cemetery_of_Ur_Iraq_2550-2450_BCE_Gold_Lapis_Lazuli_(33400752642).jpg ↗
- https://commons.wikimedia.org/wiki/File:Closeup_of_Queen_Puabi%27s_gold_headdress_and_gold_jewelry_recovered_from_the_royal_cemetery_of_Ur,_Iraq_2550-2450_BCE_(33434975442).jpg ↗
- https://commons.wikimedia.org/wiki/File:Ram_in_the_thicket_(5).jpg ↗
- https://commons.wikimedia.org/wiki/File:Stele_of_the_vultures_(war).jpg ↗
- https://commons.wikimedia.org/wiki/File:Uruk_ziggurat_(2).jpg ↗
- https://commons.wikimedia.org/wiki/File:Uruk,_erste_Metropole_der_Weltgeschichte_(CC_BY_4.0).webm ↗
- https://www.youtube.com/watch?v=kZngHY1nriA),1:39 ↗
- https://www.youtube.com/watch?v=ZJm7Qgef3ks),9:13 ↗
- https://www.youtube.com/watch?v=ZgNKWkWTbE4),1:01 ↗
Music
- Original score
AgentHouse · Project-made score (From Cosmos to Civilization score catalog v4 with bespoke opening and closing)
Impulse responses: Detmold University of Music SRIR database, CC BY 4.0.
Footage and image usage
Credits and usage times retained from the published edition or its production credit record. Where present, times identify visual appearances, not documentary chapters. Source and licence corrections are listed in the visual credits above.
- Wikimedia Commons — 7:42-7:48
- A. Baadsgaard (photograph), in Baadsgaard, Monge, Cox & Zettler 2011, Antiquity 85: 27-42 — 14:33-14:39
- ALFGRN — 16:44-16:49
- Background: Kikuyu3 Elements: Eric Gaba ( User:Sting ) Composite: पाटलिपुत्र ( talk ) 10:52, 30 April 2020 (UTC) — 15:50-15:55
- Benjamin82877 — 14:17-14:25
- BlackBoxGuild — 1:37-1:40, 5:27-5:31, 20:27-20:29, 20:33-20:36, 21:29-21:34, 22:23-22:28, 22:52-23:01
- cavanimages — 12:26-12:28
- Chester Beatty — 1:11-1:18
- Cleveland Museum of Art — 19:49-19:52
- Daderot — 9:45-9:47
- Daderot (original photograph); Zunkir (derivative) — 7:23-7:30, 7:48-7:52, 21:18-21:24
- Daniel Case — 4:04-4:11
- Darafsh — 9:13-9:22
- David Stanley — 2:27-2:33, 15:29-15:33
- Dosseman — 3:36-3:41
- egunes_ — 1:40-1:43
- enesyk — 22:17-22:23
- Ernest de Sarzec — 15:40-15:50
- Gary Todd — 4:53-4:57, 14:11-14:16, 16:49-16:53
- Hans Ollermann — 17:13-17:20
- Hara1603 (photograph); Pataliputra! (derivative) — 9:22-9:32
- Hardnfast — 20:36-20:41
- icetray — 1:51-1:52
- Ingmar Franz — 2:33-2:40
- Juan Carlos Fonseca Mata — 12:31-12:35
- Kokhanchikov — 1:47-1:49, 5:20-5:27
- LeastCommonAncestor — 12:47-12:54, 12:54-13:05, 16:00-16:02, 16:02-16:05
- M.atkinsonross — 10:49-10:54
- Marie-Lan Nguyen — 7:10-7:23, 8:48-8:56
- Mary Harrsch — 0:08-0:12, 6:57-7:02, 13:27-13:37
- Mefman00 — 17:29-17:32, 17:32-17:35
- Miguel Hermoso Cuesta — 6:17-6:18
- Museum für Kunst und Gewerbe Hamburg — 17:11-17:13
- Onceinawhile — 19:55-19:57, 22:40-22:46
- Oncenawhile — 20:41-20:52
- Osama Shukir Muhammed Amin FRCP(Glasg) — 0:12-0:14, 4:40-4:41, 9:50-9:53, 10:12-10:19, 10:26-10:34, 14:16-14:17, 16:19-16:28, 22:28-22:40
- Parent Géry — 14:58-14:59
- Pro-Stock — 1:52-1:55
- ProStockMediaHD — 18:44-18:47
- Renaud83 — 11:55-11:58
- ronib1979 — 19:23-19:37
- Saadoon, Borrelli and Viano / Iraq Museum — 21:13-21:18
- SAC Andy Holmes (RAF)/MOD — 3:08-3:14
- Sgt. Kelly Longbine / DVIDS — 20:29-20:31
- Shonagon — 0:37-0:41, 17:55-18:01, 18:01-18:07, 19:37-19:49
- The Metropolitan Museum of Art — 0:58-1:04, 1:55-1:59, 2:02-2:05, 2:05-2:10, 2:10-2:14, 3:47-3:54, 6:00-6:05, 7:52-7:55, 7:55-7:59, 8:36-8:42, 8:42-8:48, 9:47-9:50, 10:02-10:12, 13:18-13:27, 14:39-14:46, 14:55-14:58, 19:52-19:55, 20:01-20:04, 20:04-20:07, 20:15-20:23, 21:24-21:26, 22:46-22:52, 23:21-23:25
- The Trustees of the British Museum — 11:45-11:52
- tobeytravels — 3:26-3:29
- Vassil — 13:37-13:48
- Wikimedia Commons uploader (own work, released into the public domain) — 16:05-16:15
- Wolfgang Sauber — 6:18-6:22
- Zde — 13:48-13:56
- Zoeperkoe — 3:56-4:04
- Zunkir — 6:51-6:57, 14:02-14:11, 23:15-23:21
How this film was made
Created and editorially directed by Anders Lunde using a custom production system developed over six months. AI assists research, drafting, programming, and visual production; I review and edit the material and make the final editorial decisions. Narration uses text-to-speech. Visuals combine custom-built scientific animations, AI-generated reconstructions, and credited scientific imagery.
Generated reconstructions illustrate scientific interpretations. They are distinct from photographs, specimens, and measured data.
More about the creator and production →