Episode 10.2 · 21 min
how the Indus Valley cities worked, traded and slowly emptied
How did the Indus cities function without a known king, readable writing, or grand royal tombs? This episode follows the Harappan world from Mehrgarh’s early farmers to Mohenjo-daro, Harappa and Dholavira, tracing the shared standards, wells, drains and trading networks that connected it to Mesopotamia—and the weakening monsoon and changing trade that helped draw its great cities into villages without making their people disappear.
Watch this film on YouTube ↗Visual credits
91 sourcesSources and credits for imagery used in this film, including material incorporated into explanatory animations.
Harappan carnelian beads from Ur
Zunkir
View original source ↗Source licence: CC BY-SA 4.0Resized and reframed for video.
Raw lapis lazuli from Afghanistan
Parent Géry
View original source ↗Source licence: CC BY-SA 3.0Resized and reframed for video.
Gold and carnelian necklace from the royal cemetery of Ur
Vassil
View original source ↗Source licence: CC0Whole-necklace panel cropped from the composite; resized and reframed for video.
Indus weight excavated at Susa, Louvre Sb 17774
ALFGRN
View original source ↗Source licence: CC BY-SA 2.0Resized and reframed for video.
Burial mounds in Bahrain, 1918
Edwin Aubrey Storrs-Fox
View original source ↗Source licence: Public domainResized and reframed for video.
Unicorn seal mould
Ismoon
View original source ↗Source licence: CC0Resized and reframed for video; the inscription row is also cropped into sign comparisons.
Mohenjo-daro and the Great Bath
Saqib Qayyum
View original source ↗Source licence: CC BY-SA 3.0Resized and reframed for video; a detail of the Great Bath is cropped from the photograph.
Indus weight from Tello, Louvre AO 12083
Zunkir
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Water reservoir at Dholavira
Bhajish Bharathan
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Chlorite-steatite cup from the Jiroft civilization
Dorieo
View original source ↗Source licence: CC BY-SA 4.0Resized and reframed for video.
Bathing platforms at Harappa
Muhammad Bin Naveed
View original source ↗Source licence: CC BY-SA 3.0Resized and reframed for video.
Bronze figure known as the Dancing Girl
Gary Todd
View original source ↗Source licence: CC0Head, shoulders, necklace and bangled arm shown in separate crops; resized and reframed for video.
Etched carnelian beads from Ur
H. R. Hall; Leonard Woolley; Leon Legrain
View original source ↗Source licence: CC0Resized and reframed for video.
Dholavira north-gate inscription, SVG tracing
Swastik Harish; original Harappan inlay work
View original source ↗Source licence: CC BY-SA 4.0Rasterized and resized; a scale indicator is added in the animation.
Dholavira archaeological site
Lalit Gajjer
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Well and bathing platforms at Harappa
Obed Suhail
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Great Bath of Mohenjo-daro
Soban
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Harappan seals
Gary Todd
View original source ↗Source licence: CC0Resized and reframed for video.
Indus seal found at Kish, published in 1931
Stephen Herbert Langdon
View original source ↗Source licence: Public domainResized and reframed for video.
Reservoirs and canals at Dholavira
Bhajish Bharathan
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Water canal at the Great Bath, Mohenjo-daro
Quratulain
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The Great Bath at Mohenjo-daro, archival photograph
Wellcome Library, London
View original source ↗Source licence: CC BY 4.0Resized and reframed for video.
Credit: Wellcome Library, London.
Harappan balance and weights
Gary Todd
View original source ↗Source licence: CC0Resized and reframed for video.
Harappan inscribed seal
Gary Todd
View original source ↗Source licence: CC0Resized and reframed for video.
Harappan necklace
Gary Todd
View original source ↗Source licence: CC0Resized and reframed for video.
Harappan shell bracelets
Gary Todd
View original source ↗Source licence: CC0Resized and reframed for video.
Unicorn stamp seal and modern impression
The Metropolitan Museum of Art
View original source ↗Source licence: CC0 1.0Resized and reframed; the impression is cropped for an arrow overlay and the object montage.
The Metropolitan Museum of Art, Dodge Fund, 1949.
Bowl with painted decoration
The Metropolitan Museum of Art
View original source ↗Source licence: CC0 1.0Resized and reframed for video.
The Metropolitan Museum of Art, Rogers Fund and Purchase, Joseph Pulitzer Bequest, by exchange, 1957.
Jar with Four Ibex
The Cleveland Museum of Art
View original source ↗Source licence: CC0 1.0Resized and reframed for video.
The Cleveland Museum of Art, John L. Severance Fund.
Stamp seal with hunters and goats
The Metropolitan Museum of Art
View original source ↗Source licence: CC0 1.0Resized and reframed for video.
The Metropolitan Museum of Art, Gift of Martin and Sarah Cherkasky, 1987.
Seal with Unicorn and Inscription, 1973.161
The Cleveland Museum of Art
View original source ↗Source licence: CC0 1.0Resized and reframed; the inscription row is also cropped into sign comparisons.
The Cleveland Museum of Art, Purchase from the J. H. Wade Fund.
Seal with Unicorn and Inscription, 1964.104
The Cleveland Museum of Art
View original source ↗Source licence: CC0 1.0Resized and reframed; the inscription row is cropped into sign comparisons and the seal appears in an animated montage.
The Cleveland Museum of Art, Purchase from the J. H. Wade Fund.
Seal with Two-Horned Bull and Inscription, 1973.160
The Cleveland Museum of Art
View original source ↗Source licence: CC0 1.0Resized and reframed; the inscription row is cropped into sign comparisons and animated ticks are added in a separate view.
The Cleveland Museum of Art, Purchase from the J. H. Wade Fund.
Kalibangan cylinder seal
Archaeological Survey of India, Ministry of Culture, Government of India
Resized and reframed for video.
Source: Archaeological Survey of India, Indian Archaeology 1963–1964, Plate 107.
Brick well at Mohenjo-daro
Najamuddin Shahwani
View original source ↗Source licence: CC BY 3.0Resized and reframed for video.
Kalibangan Harappan seals
Archaeological Survey of India, Ministry of Culture, Government of India
Printed caption cropped out; resized and reframed for video.
Source: Archaeological Survey of India, Indian Archaeology 1962–1963.
Dholavira east gate
Nizil Shah
View original source ↗Source licence: CC BY-SA 4.0Resized and reframed for video.
Mound AB central area at Harappa
Haseeb Ur Rehman malik
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Mohenjo-daro, view of the stupa mound
Saqib Qayyum
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Terracotta animal figurines from Harappan sites
Aadrit28
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Well outside the city at Mohenjo-daro
Quratulain
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Mohenjo-daro, 2010
Comrogues
View original source ↗Source licence: CC BY 2.0Resized and reframed for video.
Terracotta bird figurines from the Indus civilization
Aadrit28
View original source ↗Source licence: CC BY-SA 4.0Resized and reframed for video.
Mounds at Harappa
Amir Islam
View original source ↗Source licence: CC BY-SA 4.0Resized and reframed for video.
Beehive tombs at Bat and Al Ayn, Oman
Esra1993
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Mehrgarh
mhtoori
View original source ↗Source licence: CC BY-SA 4.0Resized and reframed for video.
Margush panorama
Allan Mustard
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Indus script
ALFGRN
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Indus inscription from Khirsara
Anil K. Pokharia; Rajesh Agnihotri; Shalini Sharma; Sunil Bajpai; Jitendra Nath; R. N. Kumaran; Bipin Chandra Negi
View original source ↗Source licence: CC BY 4.0Resized and reframed for video.
© 2017 Pokharia et al. From PLOS ONE, “Altered cropping pattern and cultural continuation with declined prosperity following abrupt and extreme arid event at ~4,200 yrs BP.”
Harappan brick from Chanhu-daro, Royal Ontario Museum
Daderot
View original source ↗Source licence: CC0Resized and reframed; the brick is also isolated as a photographic cutout in a proportion diagram.
Priest-King bust, museum cast
Umair Shaikh Shaikh
View original source ↗Source licence: CC BY-SA 2.0Head-and-shoulders and whole-bust details cropped; resized and reframed for video.
Ghaggar River
Anup Sadi
View original source ↗Source licence: CC BY-SA 4.0Date stamp cropped out; resized and reframed for video.
Ghaggar riverbed near Naurangdesar
Shemaroo aka Sivender Rawla Mandi
View original source ↗Source licence: CC BY-SA 4.0Bridge railing and power lines cropped out; resized and reframed for video.
Making carnelian beads in Sehwan, 1933
Ernest J. Mackay
View original source ↗Source licence: Public domainResized and reframed for video.
Published in Chanhudaro, American Oriental Society, 1943.
Cemetery H pottery
Avantiputra7
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Indus carnelian beads excavated at Susa
ALFGRN
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Cubical weights from Mohenjo-daro, Ashmolean Museum
Zunkir
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Harappan cubical weights, British Museum
Zunkir
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Gulf of Kutch and Rann of Kutch from the International Space Station
NASA/JSC
Resized and reframed for video.
NASA image iss071e041652, 25 April 2024.
Shu-ilishu cylinder seal, Louvre AO 22310
Louis de Clercq
View original source ↗Source licence: Public domainResized and reframed for video.
From Collection de Clercq, published 1888.
Meluhha-ki inscription on a cylinder seal
Louis de Clercq
View original source ↗Source licence: Public domainDetail extracted from a publication image; resized and reframed, with an animated ring added.
Etched carnelian bead necklace, Ashmolean Museum
Anthony Huan
View original source ↗Source licence: CC BY-SA 2.0Resized and reframed for video.
Ashmolean Museum AN1925.261.
Indus unicorn seal and carnelian beads found at Kish
Ernest John Henry Mackay
View original source ↗Source licence: Public domainSeal detail cropped from Plate X; resized and reframed for video.
From “Sumerian Connexions with Ancient India” (1925), Plate X.
Mohenjo-daro Priest-King
Mamoon Mengal
View original source ↗Source licence: CC BY-SA 1.0Resized and reframed for video.
Source: world66.com.
Mould of the horned-figure seal
Ismoon
View original source ↗Source licence: CC0Resized and reframed for video.
Decorated Harappan female figurine
Suruchika chawla
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Die from Mohenjo-daro
Zunkir
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Harappan small figures
Trish Mayo
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Mohenjo-daro excavations, 1924
Unknown author
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Linear B tablet from Thebes
Zde
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Mineralized cotton fibres from a Mehrgarh copper bead, Figure 7
Christophe Moulherat; Margareta Tengberg; Jérôme-F. Haquet; Benoît Mille
Micrograph panel cropped from Figure 7; caption removed; resized for video.
Moulherat et al. (2002), Journal of Archaeological Science 29, Figure 7. Photo © C2RMF, C. Moulherat.
Seal M-1186 from Mohenjo-daro
Harappa.com (J. M. Kenoyer)
Resized and reframed for video.
Photo: Harappa.com (J. M. Kenoyer), seal M-1186 from Mohenjo-daro, National Museum, New Delhi.
Drain at Lothal
Raveesh Vyas
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Lane and street drain at Mohenjo-daro
Smn121
View original source ↗Source licence: CC BY-SA 3.0Site signboard cropped out; resized and reframed for video.
Excavated streets and house walls at Mohenjo-daro, 1969
Alain Mackenzie / UNESCO
View original source ↗Source licence: CC BY-SA 3.0 IGOPhotograph area cropped from the source sheet; resized and reframed for video.
Provided by UNESCO through its cooperation with Wikimedia Sverige.
Queen Puabi's gold headdress and jewellery
Mary Harrsch
View original source ↗Source licence: CC BY 2.0Resized and reframed for video.
Victory stele of Naram-Sin, Louvre Museum
Shonagon
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Behistun inscription and relief of Darius I
Unknown photographer
View original source ↗Source licence: Public domainDetail derived from “Bisotun Iran Relief Achamenid Period.JPG”; resized and reframed for video.
Harappan brick photograph in the brick-proportion diagram
Daderot
View original source ↗Source licence: CC0Brick isolated from the photograph with a mask, resized and placed beside original proportion drawings.
Dholavira plan, redrawn for the three-town diagram
Yodaspirine; adaptation by AgentHouse
View original source ↗Source licence: CC BY-SA 4.0Plan geometry traced and simplified; zones recoloured; labels replaced with upper town, middle town and lower town.
Photographic comparison of four Indus sign rows
The Cleveland Museum of Art; Ismoon; arrangement by AgentHouse
View original source ↗Source licence: CC0 1.0 (Cleveland Museum of Art images); CC0 (Ismoon photograph)Inscription rows cropped from four photographs, resized and arranged on a new background.
Cleveland Museum of Art seals 1973.161, 1973.160 and 1964.104, Purchase from the J. H. Wade Fund: https://clevelandart.org/art/1973.161 ; https://clevelandart.org/art/1973.160 ; https://clevelandart.org/art/1964.104 . Fourth row: Ismoon, “Unicorn. Mold of Seal, Indus valley civilization”: https://commons.wikimedia.org/wiki/File:Unicorn._Mold_of_Seal,_Indus_valley_civilization.jpg .
Priest-King bust photograph in a hand-scale comparison
Umair Shaikh Shaikh; arrangement by AgentHouse
View original source ↗Source licence: CC BY-SA 2.0Bust cropped and isolated from the photograph; resized and placed beside an original hand silhouette and scale indicator.
Indus sign-row comparison with highlighted signs
The Cleveland Museum of Art; Ismoon; arrangement and highlights by AgentHouse
View original source ↗Source licence: CC0 1.0 (Cleveland Museum of Art images); CC0 (Ismoon photograph)Inscription rows cropped from four photographs, resized and arranged on a new background; rings and an animated glow added.
Cleveland Museum of Art seals 1973.161, 1973.160 and 1964.104, Purchase from the J. H. Wade Fund: https://clevelandart.org/art/1973.161 ; https://clevelandart.org/art/1973.160 ; https://clevelandart.org/art/1964.104 . Fourth row: Ismoon, “Unicorn. Mold of Seal, Indus valley civilization”: https://commons.wikimedia.org/wiki/File:Unicorn._Mold_of_Seal,_Indus_valley_civilization.jpg .
A man riding a bullock cart
vinod kashyap / Pexels
View original source ↗Source licence: Pexels LicenseExcerpt trimmed and reframed for video.
Harappan settlement coordinates by phase
Hiren Solanki; Vikrant Jain; Kaustubh Thirumalai; Balaji Rajagopalan; Vimal Mishra
View original source ↗Source licence: CC BY 4.0Coordinates selected by phase and mapped; truncated coordinates excluded; distributions used to draw settlement dots and the Indus-world glow.
FigureData for “River drought forcing of the Harappan metamorphosis” (2025), DOI: 10.5281/zenodo.17231686.
Major Harappan city coordinates
Hiren Solanki; Vikrant Jain; Kaustubh Thirumalai; Balaji Rajagopalan; Vimal Mishra
View original source ↗Source licence: CC BY 4.0Four city coordinates selected and plotted in original animated maps.
FigureData for “River drought forcing of the Harappan metamorphosis” (2025), DOI: 10.5281/zenodo.17231686.
Modelled rainfall SPI data for the Harappan drought timeline
Hiren Solanki; Vikrant Jain; Kaustubh Thirumalai; Balaji Rajagopalan; Vimal Mishra
View original source ↗Source licence: CC BY 4.0Figure 1 rainfall SPI series selected, smoothed, converted to a BCE axis and plotted as the background curve of an original drought animation.
FigureData for “River drought forcing of the Harappan metamorphosis” (2025), DOI: 10.5281/zenodo.17231686.
Residential disparity in DK-G South, Mohenjo-daro: Table 1 data
Adam S. Green; Iqtedar Alam; Cameron Petrie
View original source ↗Source licence: Article: CC BY-NC-ND 4.0Five published Gini values plotted in an original bar chart; no article figure or table image reproduced.
From “Inequality declined in the Bronze Age city of Mohenjo-daro,” Antiquity (2026). © The Author(s), 2026. Published by Cambridge University Press on behalf of Antiquity Publications Ltd.
Natural Earth 1:10m rivers and lake centerlines
Natural Earth
View original source ↗Source licence: Public domainSelected river segments projected, styled and animated in regional maps; lake-centerline segments drawn as river lines.
Made with Natural Earth. Free vector and raster map data @ naturalearthdata.com.
Natural Earth 1:50m land polygons
Natural Earth
View original source ↗Source licence: Public domainLand polygons projected, styled and animated in regional maps, preserving polygon holes.
Made with Natural Earth. Free vector and raster map data @ naturalearthdata.com.
Earth daymap texture used for map relief shading
Solar System Scope
View original source ↗Source licence: CC BY 4.0Texture luminance sampled, softened and recoloured to provide relief shading in flat regional maps.
Textures by Solar System Scope (solarsystemscope.com), CC BY 4.0.
Research references
Selected sources from the episode’s research and scientific figures.
- 22 June 2026 release, ID 290372 ↗
- Dholavira ↗
- DOI: 10.1007/s10814-020-09147-9 ↗
- DOI: 10.15184/aqy.2026.10359 ↗
- *A peaceful realm?* ↗
- *Infection, Disease, and Biosocial Processes at the End of the Indus Civilization* ↗
- object record ↗
- excavation-history note ↗
- DOI: 10.1126/science.1170391 ↗
- 2004 ↗
- arXiv:2608.02999 ↗
- ASI photo on Harappa ↗
- DOI: 10.1007/s10963-017-9101-z ↗
- DOI: 10.1038/s41598-020-72963-y ↗
- DOI: 10.1006/jasc.2001.0779 ↗
- ETCSL **1.1.3 / tr113** ↗
- ETCSL **1.1.1 / tr111** ↗
- P461938 ↗
- ETCSL 2.1.7 ↗
- Shu-ilishu object record ↗
- Nippur bead ↗
- PDF ↗
- DOI: 10.15184/aqy.2025.23 ↗
- DOI: 10.1484/J.JUA.5.135661 ↗
- multi-analytical Central Asian metals study ↗
- settlement contemporaneity paper ↗
- *River drought forcing of the Harappan metamorphosis* ↗
- DOI: 10.1038/s41467-017-01643-9 ↗
- DOI: 10.1073/pnas.1112743109 ↗
- DOI: 10.1038/s41467-024-50886-w ↗
- Penn's complete article ↗
- Mehrgarh reassessment ↗
- *Dating the Neolithic of South India: new radiometric evidence for key economic, social and ritual transformations* ↗
- rice domestication study ↗
- Bhando Qubo pearl millet dates ↗
- *An Ancient Harappan Genome Lacks Ancestry from Steppe Pastoralists or Iranian Farmers* ↗
- https://etcsl.orinst.ox.ac.uk/section2/tr217.htm),434–445 ↗
- 1 June 2026 National Geographic report ↗
- Solanki Zenodo repository ↗
- PDF ↗
- 1998–2000 chronology and discoveries ↗
- ICOMOS-hosted PDF ↗
- Moenjodaro ↗
- Ganweriwala project account ↗
- The Friday Times, 13 May 2026 ↗
- name discussion ↗
- *Master of Animals* ↗
- PDF ↗
- author PDF ↗
- n-gram paper ↗
- 2010 Computational Linguistics response ↗
- HTML ↗
- review of Fuls's sign catalogue ↗
- synthetic-baseline scorecard ↗
- conference circular ↗
- 5 January 2025 announcement ↗
- Zenodo record *Reading the Indus Valley Script* ↗
- Harappa discussion ↗
- author-hosted PDF ↗
- *Stone Beads and Pendant Making Techniques* ↗
- wheeled-vehicle study ↗
- *Origin of the Harappan Ernestites* ↗
- Asmath Khaliq comment ↗
- author reply ↗
- collection entry ↗
- University of Dundee publication record ↗
- accepted manuscript ↗
- Great Bath specialist description ↗
- PDF ↗
- PDF ↗
- DOI: 10.1093/acrefore/9780190277727.013.595 ↗
- author-upload transcription ↗
- Saar ↗
- sealing ↗
- review/excerpts ↗
- DOI: 10.2307/3631775 ↗
- Dilmun burial property ↗
- ORACC Sargon 11 / RIME 2.01.01.11 ↗
- CDLI P461938, RIME 2.01.01.12 ↗
- comparative geochemical study ↗
- https://doi.org/10.2307/3631775): ↗
- *Metal Technologies of the Indus Valley Tradition in Pakistan and Western India* ↗
- Shahr-i Sokhta ↗
- Sarazm ↗
- publisher abstract ↗
- DOI: 10.2143/IA.58.0.3292992 ↗
- Harappa Shortugai item ↗
- Vestiabad account ↗
- PLOS ONE e0309963 ↗
- PMC text ↗
- *The formation of human populations in South and Central Asia* ↗
- 2019 corrigendum ↗
- MBE 43(11), msag264 ↗
- Cleveland 1973.161 ↗
- Cleveland 1964.104 ↗
- file ↗
- Cleveland 1973.160 ↗
- file ↗
- Met 49.40.1 ↗
- Met 49.40.2 ↗
- Met 49.40.3 ↗
- Met 49.40.4 ↗
- Commons file ↗
- Gary Todd seals ↗
- Shell Bracelets ↗
- Bronze Dancing Girl ↗
- King Priest, Pakistan ↗
- Seal mould ↗
- Ur etched beads ↗
- Kish seal plate ↗
- Tello weight ↗
- Susa weight ↗
- Gallica volume ↗
- Dilmun seal ↗
- Dholavira SVG ↗
- Great bath view Mohenjodaro ↗
- Great Bath archival view ↗
- Harappa well and platforms ↗
- Dholavira reservoir ↗
- Hili Grand Tomb 1 ↗
- A'ali Burial Mounds ↗
- Bahrain moved mound ↗
- UNESCO ↗
- NASA MODIS 24 August 2022 gallery ↗
- NASA Earth Observatory flood article ↗
- Dholavira beach/flamingos ↗
- coastal Dholavira/Road to Heaven view ↗
- boat ride on the Indus, Sindh ↗
- Pexels licence ↗
- Indus–Zanskar confluence ↗
- https://commons.wikimedia.org/wiki/File:Harappan_seals_(Indus_Valley).jpg ↗
- https://commons.wikimedia.org/wiki/File:Harappan_(Indus_Valley)_Balance_%26_Weights.jpg ↗
- https://commons.wikimedia.org/wiki/File:Harappan_(Indus_Valley)_Shell_Bracelets.jpg ↗
Music
- Original score
AgentHouse · Project-made score (From Cosmos to Civilization score catalog v4 with bespoke opening and closing)
Impulse responses: Detmold University of Music SRIR database, CC BY 4.0.
Footage and image usage
Credits and usage times retained from the published edition or its production credit record. Where present, times identify visual appearances, not documentary chapters. Source and licence corrections are listed in the visual credits above.
- Public domain
- Aadrit28
- Adam S. Green; Iqtedar Alam; Cameron Petrie
- Alain Mackenzie
- Alain Mackenzie / UNESCO
- ALFGRN
- Allan Mustard
- Amir Islam
- Anil K. Pokharia; Rajesh Agnihotri; Shalini Sharma; Sunil Bajpai; Jitendra Nath; R. N. Kumaran; Bipin Chandra Negi
- Anthony Huan
- Anup Sadi
- Archaeological Survey of India et al.
- Avantiputra7
- Bhajish Bharathan
- Christophe Moulherat; Margareta Tengberg; Jérôme-F. Haquet; Benoît Mille
- Comrogues
- Daderot
- Dorieo
- Edwin Aubrey Storrs-Fox
- Ernest J. Mackay
- Ernest John Henry Mackay
- Ernest John Henry Mackay (5 July 1880 – 2 October 1943)
- Esra1993
- Gary Todd
- H. R. Hall; Leonard Woolley; Leon Legrain
- Harappa.com (J. M. Kenoyer)
- Haseeb Ur Rehman malik
- Hiren Solanki; Vikrant Jain; Kaustubh Thirumalai; Balaji Rajagopalan; Vimal Mishra
- Ismoon
- Lalit Gajjer
- Louis de Clercq
- Mamoon Mengal
- Mary Harrsch
- mhtoori
- Ministry of Culture
- Moulherat et al.
- Muhammad Bin Naveed
- Najamuddin Shahwani
- NASA/JSC
- Natural Earth
- Nizil Shah
- Obed Suhail
- Parent Géry
- Quratulain
- Raveesh Vyas
- Saqib Qayyum
- Shemaroo aka Sivender Rawla Mandi
- Shonagon
- Smn121
- Soban
- Solar System Scope
- Stephen Herbert Langdon
- Suruchika chawla
- Swastik Harish; original Harappan inlay work
- The Cleveland Museum of Art
- The Cleveland Museum of Art; Ismoon; arrangement and highlights by AgentHouse
- The Cleveland Museum of Art; Ismoon; arrangement by AgentHouse
- The Metropolitan Museum of Art
- Trish Mayo
- Umair Shaikh Shaikh
- Umair Shaikh Shaikh; arrangement by AgentHouse
- Unknown photographer
- Vassil
- vinod kashyap / Pexels
- Wellcome Library, London
- Yodaspirine; adaptation by AgentHouse
- Zde
- Zunkir
- Original animations and figures created by this channel.
- Public domain — 10:02-10:09
- Aadrit28 — 5:30-5:32, 5:32-5:33
- Adam S. Green; Iqtedar Alam; Cameron Petrie — 11:06-11:14
- Alain Mackenzie — 18:04-18:09
- Alain Mackenzie / UNESCO — 18:04-18:09
- ALFGRN — 6:57-7:10, 9:32-9:37, 14:08-14:16
- Allan Mustard — 16:25-16:27
- Amir Islam — 11:30-11:35
- Anil K. Pokharia; Rajesh Agnihotri; Shalini Sharma; Sunil Bajpai; Jitendra Nath; R. N. Kumaran; Bipin Chandra Negi — 12:36-12:42
- Anthony Huan — 13:49-13:51
- Anup Sadi — 18:43-18:48
- Archaeological Survey of India, Ministry of Culture, Government of India — 11:27-11:30, 7:39-7:41
- Avantiputra7 — 19:42-19:48
- Bhajish Bharathan — 8:50-8:52, 8:52-8:58
- Christophe Moulherat; Margareta Tengberg; Jérôme-F. Haquet; Benoît Mille — 2:07-2:12
- Comrogues — 2:56-3:06, 20:51-21:06
- Daderot — 2:51-2:56, 3:39-3:48
- Dorieo — 16:19-16:21
- Edwin Aubrey Storrs-Fox — 15:02-15:05
- Ernest J. Mackay — 19:53-19:59
- Ernest John Henry Mackay — 12:25-12:27
- Ernest John Henry Mackay (5 July 1880 – 2 October 1943) — 12:25-12:27
- Esra1993 — 14:49-14:52
- Gary Todd — 2:39-2:48, 5:42-5:49, 5:49-5:51, 5:51-5:55, 5:55-5:59, 5:59-6:10, 12:27-12:29, 12:59-13:08, 20:47-20:51
- H. R. Hall; Leonard Woolley; Leon Legrain — 14:16-14:21
- Harappa.com (J. M. Kenoyer) — 7:18-7:23
- Haseeb Ur Rehman malik — 19:34-19:42
- Hiren Solanki; Vikrant Jain; Kaustubh Thirumalai; Balaji Rajagopalan; Vimal Mishra — 0:45-0:52, 0:47-0:52, 1:39-1:48, 2:12-2:25, 2:15-2:25, 2:30-2:32, 8:09-8:16, 8:22-8:33, 8:33-8:38, 9:44-9:58, 13:42-13:49, 14:21-14:29, 14:38-14:47, 14:59-15:02, 16:03-16:06, 16:06-16:10, 16:17-16:19, 16:21-16:25, 16:36-16:43, 17:11-17:24, 17:35-17:46, 18:21-18:43, 18:48-18:53, 20:10-20:16, 21:06-21:11
- Ismoon — 7:10-7:18, 7:41-7:45, 12:48-12:51
- Lalit Gajjer — 9:01-9:08, 13:18-13:25
- Louis de Clercq — 15:15-15:23, 15:23-15:27
- Mamoon Mengal — 0:00-0:10, 20:30-20:36
- Mary Harrsch — 1:05-1:08
- mhtoori — 1:48-1:58
- Ministry of Culture — 7:39-7:41
- Moulherat, Tengberg, Haquet and Mille (Journal of Archaeological Science, Elsevier) — 2:07-2:12
- Muhammad Bin Naveed — 8:16-8:22
- Najamuddin Shahwani — 3:54-4:05
- NASA/JSC — 8:38-8:43
- Natural Earth — 0:45-0:52, 1:39-1:48, 2:12-2:25, 2:30-2:32, 8:09-8:16, 8:22-8:33, 8:33-8:38, 9:44-9:58, 13:42-13:49, 14:21-14:29, 14:38-14:47, 14:59-15:02, 16:03-16:06, 16:06-16:10, 16:17-16:19, 16:21-16:25, 16:36-16:43, 17:11-17:24, 17:35-17:46, 18:48-18:53, 20:10-20:16, 21:06-21:14
- Nizil Shah — 11:20-11:23
- Obed Suhail — 20:43-20:47
- Parent Géry — 16:10-16:11
- Quratulain — 4:05-4:09, 4:39-4:43
- Raveesh Vyas — 0:42-0:45
- Saqib Qayyum — 6:33-6:37, 17:53-18:04, 20:16-20:28
- Shemaroo aka Sivender Rawla Mandi — 18:15-18:21
- Shonagon — 9:58-10:02, 20:41-20:43
- Smn121 — 4:43-4:48
- Soban — 6:18-6:26
- Solar System Scope — 0:45-0:52, 1:39-1:48, 2:12-2:25, 2:30-2:32, 8:09-8:16, 8:22-8:33, 8:33-8:38, 9:44-9:58, 13:42-13:49, 14:21-14:29, 14:38-14:47, 14:59-15:02, 16:03-16:06, 16:06-16:10, 16:17-16:19, 16:21-16:25, 16:36-16:43, 17:11-17:24, 17:35-17:46, 18:48-18:53, 20:10-20:16, 21:06-21:14
- Stephen Herbert Langdon — 13:08-13:18
- Suruchika chawla — 7:45-7:52
- Swastik Harish; original Harappan inlay work — 13:25-13:42
- The Cleveland Museum of Art — 0:24-0:36, 2:25-2:28, 2:48-2:50, 7:31-7:34, 7:34-7:39, 12:08-12:16, 12:29-12:36, 17:46-17:48
- The Cleveland Museum of Art; Ismoon; arrangement and highlights by AgentHouse — 12:01-12:03, 12:03-12:05
- The Cleveland Museum of Art; Ismoon; arrangement by AgentHouse — 11:57-12:01
- The Metropolitan Museum of Art — 2:28-2:30, 7:23-7:31, 18:53-18:55, 12:05-12:08, 17:48-17:50
- Trish Mayo — 5:24-5:30
- Umair Shaikh Shaikh — 0:10-0:17, 10:09-10:15
- Umair Shaikh Shaikh; arrangement by AgentHouse — 10:15-10:21
- Unknown photographer — 12:42-12:48
- Vassil — 8:03-8:09
- vinod kashyap / Pexels — 19:59-20:02
- Wellcome Library, London — 3:06-3:10, 20:28-20:30
- Yodaspirine; adaptation by AgentHouse — 11:23-11:27
- Zde — 12:51-12:59
- Zunkir — 0:52-0:57, 1:08-1:13, 2:50-2:51, 5:33-5:36, 9:17-9:21, 9:30-9:32, 17:50-17:53
How this film was made
Created and editorially directed by Anders Lunde using a custom production system developed over six months. AI assists research, drafting, programming, and visual production; I review and edit the material and make the final editorial decisions. Narration uses text-to-speech. Visuals combine custom-built scientific animations, AI-generated reconstructions, and credited scientific imagery.
Generated reconstructions illustrate scientific interpretations. They are distinct from photographs, specimens, and measured data.
More about the creator and production →